Reviewing Gangs of Dangapur: Theatre, Power, and the Fractured Ethics of the City

Authors

  • Dr. Dwaipayan Roy Author

DOI:

https://doi.org/10.65544/w3w50j84

Keywords:

Political Theatre, Urban Power Structures, Ethics and Violence, Performance and Authority, City and Social Fragmentation

Abstract

Readers might be surprised to read a review of a theater in an academic journal. As a fan of theater, I believe the theatrical play Gangs of Dangapur goes beyond a mere representation of a stage play and becomes a critique of society. As Stella Adler, American actor & teacher, said, “The theatre was created to tell people the truth about life and the social situation" (Kissel). The theatrical production, designed and directed by Ranjan Giri, emerges as a vital cultural intervention towards fragmentation, femicide, and societal degradation, which are normalized even in the modern era. Integrated Perspectives: A Journal of Interdisciplinary Research is a journal that prioritizes interdisciplinary research focusing on several issues related to social stratification, social constructs, gender expression, and authoritative power.

DECLARATION:
All visual illustrations included in this article were produced using DALL-E, a text-to-image generative system developed by OpenAI. Each image was created specifically for this publication and constitutes an original visual composition. The illustrations do not reproduce, adapt, or derive from any pre-existing copyrighted works and are free from third-party copyright restrictions. The images may be used, reproduced, and distributed as part of this article in accordance with standard academic and scholarly use.

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Author Biography

  • Dr. Dwaipayan Roy
    Dr. Dwaipayan Roy, Assistant Professor

    Dr. Dwaipayan Roy received his PHD in English from the department of Basic Science and Humanities Social sciences, National Institute of Technology, Mizoram India. He is actively engaged in research of American Literature, poetry, popular culture, Poetry, comics & Graphic Novels and AI. He has majored in English literature followed by M.A in American Literature. Apart from this he also has a B.ED specializing in English language teaching under his belt. He is also actively involved in philanthropic activities with few NGOs. Recently Dr. Roy was selected as a visiting fellow at Troy University USA with full fellowship where he completed half of his research. Dr. Roy is the first scholar who wrote a dissertation on the poetry of Jim Morrison at the doctorate level. He currently has six Scopus/web of science journal publication related to the poetry of Jim Morrison. He has also received two postdoctoral fellowships. One from University of South Denmark and other from University of Porto. He also serves as the associate editor for the journal Integrated Perspectives: A Journal of Interdisciplinary Research.

    Contact Information:
    Dr. Dwaipayan Roy, Assistant Professor
    Department of English
    R. N. Tagore Foundation, Ranaghat, West Bengal 741202
    Email: dr.roy@rntagorefoundation.org

References

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[2] Brecht on Theatre: The Development of an Aesthetic (1964).

[3] The Empty Space and Introduction: An Overview of Theatre, IGNTU, 1968.

[4] Interview with Thomas Ostermeier: “Every Generation Writes Its Own Shakespeare” (2016).

[5] Insecure at Last: Losing It in Our Security-Obsessed World (2006) and her 2024–2026 global activist lectures.

[6] The Theatre Times — “Directing the Contemporary” (2025/2026 archives).

[7] Pinter, Harold. “Art, Truth and Politics.” Nobel Lecture. The Swedish Academy, Stockholm. 7 Dec. 2005. Lecture. Last Accessed 3 January 2026.

[8] Brecht, Bertolt. The Threepenny Opera (Die Dreigroschenoper). Act 3, Scene 1. Original Date: 1928 (First performance in Berlin). Standard Translation: Translated by Desmond Vesey (Groove Press, Inc., 1949).

[9] Cruz, César A. “To Comfort the Disturbed, and to Disturb the Comfortable: Onward Children of the Sun.” Hartford Web Publishing, 1997. Accessed 3 January 2026.

[10] Stanislavski, Konstantin. An Actor’s Work: A Student’s Diary. Translated by Jean Benedetti, Routledge, 2008, pp. 232–256.

[11] Schreyer, Savannah. “Applying Principles of Polyvagal Theory in the Rehearsal Room.” Journal of Creative Behavior and Performance, vol. 2, no. 1, 2023, pp. 50–62. California State University Journals.

[12] “Reflections on Women’s Representation in Hollywood.” Forbes, 28 May 2024. Last Accessed 4 January 2026.

[13] “The Best Theatre to See in 2026.” The Observer, 1 January 2026. Last Accessed 4 January 2026.

[14] “A Wish and What Comes After: Into the Woods at the Bridge Theatre.” T2C Online, 2 January 2026. Last Accessed 4 January 2026.

[15] DiFranco, Ani. “Patriarchy Quotes.” Last Accessed 5 January 2026.

[16] Chubbuck, Ivana. “50 Great Acting Quotes.” StageMilk, 3 October 2019. Last Accessed 5 January 2026.

[17] “Viola Davis — Quotes.” IMDb. Last Accessed 7 January 2026.

[18] Butler, Octavia E. “Ambition Quotes.” BrainyQuote, 2026. Last Accessed 8 January 2026.

[19] Davis, Viola. “Viola Davis — Quotes.” IMDb, 2026. Last Accessed 7 January 2026.

[20] Streep, Meryl. “10 Inspiring Quotes About Performing.” Noodle Performance Arts, 20 May 2019. Last Accessed 6 January 2026.

Published

01-03-2026

How to Cite

Reviewing Gangs of Dangapur: Theatre, Power, and the Fractured Ethics of the City. (2026). Integrated Perspectives: A Journal of Interdisciplinary Research, 1(1), 11. https://doi.org/10.65544/w3w50j84

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